Ads
related to: screen print posters fish woodcut
Search results
Results From The WOW.Com Content Network
Circle Limit III is a woodcut made in 1959 by Dutch artist M. C. Escher, in which "strings of fish shoot up like rockets from infinitely far away" and then "fall back again whence they came". [1] It is one of a series of four woodcuts by Escher depicting ideas from hyperbolic geometry. Dutch physicist and mathematician Bruno Ernst called it ...
Johann Theodor de Bry En (later in Germany, also publisher); Jan Van Calcar Wo; Hieronymus Cock En, Et, Publisher; Hans Collaert En, son of Adriaen; Cornelis Cort En; Philippe Galle En, Publisher, and his heirs, including Adriaen Collaert.
The screen is in a refined Kanō style and depicts contemporary life, rather than the prescribed subjects of the painterly schools. [21] Early woodblock print, Hishikawa Moronobu, late 1670s or early 1680s. In response to the increasing demand for ukiyo-e works, Hishikawa Moronobu (1618–1694) produced the first ukiyo-e woodblock prints. [16]
Sky and Water I is a woodcut print by the Dutch artist M. C. Escher first printed in June 1938. The basis of this print is a regular division of the plane consisting of birds and fish. Both prints have the horizontal series of these elements—fitting into each other like the pieces of a jigsaw puzzle—in the middle, transitional portion of ...
Consequently, woodcut was the main medium for book illustrations until the late sixteenth century. The first woodcut book illustration dates to about 1461, only a few years after the beginning of printing with movable type, printed by Albrecht Pfister in Bamberg. Woodcut was used less often for individual ("single-leaf") fine-art prints from ...
Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.