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The phrase synesthesia in art has historically referred to a wide variety of artists' experiments that have explored the co-operation of the senses (e.g. seeing and hearing; the word synesthesia is from the Ancient Greek σύν (syn), "together," and αἴσθησις (aisthēsis), "sensation") in the genres of visual music, music visualization, audiovisual art, abstract film, and intermedia ...
Many tests exist for synesthesia. Each common type has a specific test. When testing for grapheme–color synesthesia, a visual test is given. The person is shown a picture that includes black letters and numbers. A synesthete will associate the letters and numbers with a specific color. An auditory test is another way to test for synesthesia.
Kandinsky had published his own theory on color and synesthesia in his Concerning the Spiritual in Art (1911). Kandinsky never saw The Yellow Sound performed during his lifetime. He and his Blue Rider colleagues, including Franz Marc , August Macke , and Alfred Kubin , worked intensively on a planned 1914 Munich production, but it was cancelled ...
The cross-activation theory of synesthesia was formulated by V.S. Ramachandran and E.M. Hubard, based on converging evidence from studies of synesthesia that sensory areas for processing real and synesthetic information tend to be neighboring brain regions. [16]
Following that, there is a list of people who are often wrongly believed to have had synesthesia because they used it as a device in their art, poetry or music (referred to as pseudo-synesthetes). Estimates of prevalence of synesthesia have ranged widely, from 1 in 4 to 1 in 25,000 – 100,000.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Visual music, sometimes called color music, refers to the creation of a visual analogue to musical form by adapting musical structures for visual composition, which can also include silent films or silent Lumia work. It also refers to methods or devices which can translate sounds or music into a related visual presentation.
Musicophilia: Tales of Music and the Brain is a 2007 book by Oliver Sacks. It explores a range of psychological and physiological ailments and their connections to music. It is divided into four parts, each with a distinctive theme: Haunted by Music examines mysterious onsets of musicality and musicophilia (and musicophobia); A Range of Musicality looks at musical oddities musical synesthesia ...