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"FM (No Static at All)" is a song by American jazz-rock band Steely Dan and the title theme for the 1978 film FM. It made the US Top 40 the year of its release as a single. A jazz-rock composition of bass, guitar and piano, its lyrics criticize the album-oriented rock format of many FM radio stations at that time, in contrast to the film's celebration of the medium.
Becker and Fagen reunited for an American tour to support Fagen's album Kamakiriad, which sold poorly despite a Grammy nomination for Album of the Year.An album of the tour, called Alive in America, was recorded at various dates between August 19, 1993, and the September 19, 1994, personnel included pianist Warren Bernhardt, guitarists Georg Wadenius and Drew Zingg, bassist Tom Barney ...
The album sold well in the United States, though without the strength of a hit single. In the UK the single "Haitian Divorce" (Top 20) drove album sales, becoming Steely Dan's first major hit there. [29] Steely Dan's sixth album, the jazz-influenced Aja, was released in September 1977.
The discography for the American jazz rock band Steely Dan consists of nine studio albums, twenty one singles, two live albums, one live set on DVD, seven compilations and one box set in the United States. The band was originally active from 1971 to 1981 and later reformed in 1993 and continued to release studio and live material up to today.
In common with other Steely Dan albums, The Royal Scam is littered with cryptic allusions to people and events, both real and fictional. In a BBC interview in 2000, songwriters Walter Becker and Donald Fagen revealed that "Kid Charlemagne" is loosely based on Owsley Stanley, the notorious drug "chef" who was famous for manufacturing hallucinogenic compounds, and that "The Caves of Altamira" is ...
Drink your big black cow and get back in here. Donald Fagen has simultaneously released two new live albums — one under the nearly 50-year-old banner of Steely Dan; one billed as a solo album ...
In The Rolling Stone Album Guide (2004), Rob Sheffield said the album completed a trilogy of Steely Dan albums (the other parts being Countdown to Ecstasy (1973) and Pretzel Logic) that is "a rock version of Chinatown, a film noir tour of L.A.'s decadent losers, showbiz kids, and razor boys". [17]
In the United States, the album reached the Top Five of Billboard's album chart and quickly earned a Platinum-certified disc. It reached 37 in the UK charts. [4] Roger Nichols won the 1979 Grammy Award for Best Engineered Album, Non-Classical for his work on the soundtrack.