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The Bakersfield sound is a sub-genre of country music developed in the mid-to-late 1950s in and around Bakersfield, California. [1] Bakersfield is defined by its influences of rock and roll and honky-tonk style country, and its heavy use of electric instrumentation and backbeats. [2]
During this time, they developed a highly eclectic style, cycling through several musical genres, often within the course of a single song, including heavy metal, avant-garde jazz, ska, disco, and funk, which is further enhanced by lead vocalist Mike Patton's versatile singing style.
The California sound is a popular music aesthetic [nb 1] that originates with American pop and rock recording artists from Southern California in the early 1960s. At first, it was conflated with the California myth , an idyllic setting inspired by the state's beach culture that commonly appeared in the lyrics of commercial pop songs.
California (Big & Rich song) California (Belinda Carlisle song) California (Delta Spirit song) California (Joni Mitchell song) California (Lenny Kravitz song) California (Mylène Farmer song) California (Phantom Planet song) California (Usher song) California (Wave song) California Autumn; California Boy; California Dreamin' California Feelin ...
Chon (sometimes stylized as CHON) was an American progressive rock band from Oceanside, California. Their music is largely instrumental with only a few songs containing vocal performances. The final line up of the band consisted of Mario Camarena (guitar), Erick Hansel (guitar), Esiah Camarena (bass) and Nathan Camarena (drums).
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"An Old Hollywood Custom" music by Ray Henderson; lyrics by Lew Brown "Anaheim" by They Might Be Giants "...and a Song for Los Angeles" by She Wants Revenge "Andres" by L7 "Angel City" by Don Johnson "Angel City" by Gil Fuller "Angel City" by Megabass (act had a top 20 British hit in 1990 with 'Time to Make the Floor Burn') "Angel City" by ...
"California, Here I Come" is a song interpolated in the Broadway musical Bombo, starring Al Jolson. The song was written by Bud DeSylva, Joseph Meyer, and Jolson. [1] Jolson recorded the song on January 17, 1924, with Isham Jones' Orchestra, in Brunswick Records' Chicago studio. [2] It is often called the unofficial state song of California.