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Wave of Mutilation: Best of Pixies is a compilation album by Pixies. It was released on May 3, 2004 in the United Kingdom and the following day in the United States alongside a companion DVD featuring a live show, promotional videos and two documentaries.
On October 25, 2024, the Pixies released their ninth full-length studio album, The Night the Zombies Came, produced by Tom Dalgety, who also worked on their previous three studio albums. [109] Regarding the title, Francis said: "It's not like I wrote a bunch of songs about zombies or that we tried to make the album sound scary or anything like ...
Pixies agreed to a United States distribution deal with Elektra Records before releasing their third album, Doolittle. Doolittle was the most successful album for Pixies, earning them a gold certification from the Recording Industry Association of America in 1995 (along with Surfer Rosa in 2005).
This is a comprehensive list of songs by the Pixies, an American alternative rock band. This list includes album tracks, B-sides, demos, live recordings and remixes of songs written by one or more of the band's members or songs covered by the band; it does not include songs that members of the Pixies wrote, recorded or performed with Frank Black and the Catholics, The Breeders, The Martinis ...
INTERVIEW: The Pixies bass player and Breeders frontwoman is an icon of the 1980s and 1990s alt-rock scene. As she releases her first solo album at the age of 63 she talks to Annabel Nugent about ...
Death to the Pixies is a compilation album by the American alternative rock band Pixies, released by 4AD in the UK on October 6, 1997, and 4AD/Elektra the following day in the United States to commemorate the 10th anniversary of the band's debut. It covered the years 1987 to 1991.
Exclusive: Fellow musicians and famous fans praise the US band as they release ‘The Night the Zombies Came’, and celebrate the 35th anniversary of their album ‘Doolittle’
The album name comes from the title of the first track, "Trompe le Monde", a French phrase (pronounced [tʁɔ̃p lə mɔ̃d]) meaning "Fool the World". [3]Unlike previous albums, the title of the album comes from the name of a song (rather than a song lyric), and is a play on the French phrase "Trompe-l'œil", a painting technique in which the painter fools the viewer into thinking objects ...