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That distance is sometimes given on the filter in millimeters. A +3 close-up lens has a maximal working distance of 0.333 m or 333 mm. The magnification is the focal distance of the objective lens (f) divided by the focal distance of the close-up lens; i.e., the focal distance of the objective lens (in meters) multiplied by the diopter value (D) of the close-up lens:
The common 1" outside diameter circular video camera tubes have a rectangular photo sensitive area about 16 mm on the diagonal, so a digital sensor with a 16 mm diagonal size is a 1" video tube equivalent. The name of a 1" digital sensor should more accurately be read as "one inch video camera tube equivalent" sensor.
The hyperfocal distance is, therefore, the most desirable distance on which to pre-set the focus of a fixed-focus camera. It is worth noting, too, that if a camera is focused on s = ∞, the closest acceptable object is at L 2 = sh/(h + s) = h/(h/s + 1) = h (by equation 21). This is a second important meaning of the hyperfocal distance.
Diagram illustrating the flange focal length of an SLR–type and a mirrorless–type camera. For an interchangeable lens camera, the flange focal distance (FFD) (also known as the flange-to-film distance, flange focal depth, flange back distance (FBD), flange focal length (FFL), back focus [1] or register, depending on the usage and source) of a lens mount system is the distance from the ...
So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...
For example, if a lens's focal length were 100 mm and its entrance pupil's diameter were 50 mm, the f-number would be 2. This would be expressed as " f /2 " in a lens system. The aperture diameter would be equal to f/2. Camera lenses often include an adjustable diaphragm, which changes the size of the aperture stop and thus the entrance pupil ...
Then, the smaller the image is, the more depth of field is obtained, for the same field of view. Therefore, 70mm has less depth of field than 35mm for a given field of view, 16mm more than 35mm, and early video cameras, as well as most modern consumer level video cameras, even more depth of field than 16mm.
The smallest photography TLR camera using 35 mm film is the Swiss-made Tessina, using perforated 35 mm film reloaded into special Tessina cassette, forming images of 14 mm × 21 mm. Goerz Minicord twin lens reflex made 10 mm × 10 mm format on double perforated 16 mm film in metal cassette. 6 Element Goerz Helgor F2 lens, metal focal plane ...