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"Everything to Everyone" is a song by American alternative rock band Everclear, released as the first single off their album So Much for the Afterglow (1997). It was commercially successful, topping the US Billboard Modern Rock Tracks chart in December 1997.
The melody was derived from a previous song by Cook and Greenaway, originally called "True Love and Apple Pie," that was recorded in 1971 by Susan Shirley. [3] Cook, Greenaway, Backer and Billy Davis reworked the song into a Coca-Cola radio jingle, which was performed by British pop group The New Seekers and recorded at Trident Studios in London .
Dr. McGillicuddy's liqueurs are between 30 and 60 U.S. proof (15–30% alcohol by volume), depending on the flavor. The liqueurs are available in a range of bottle sizes 50 mL, 100 mL, 200 mL, 375 mL, 750 mL, 1 L and 1.75 L. [6] According to the brand website, a character named Dr. Aloysius Percival McGillicuddy created the liqueur.
From a song: This is a redirect from a song title to a more general, relevant article such as an album, film or artist where the song is mentioned.Redirecting to the specific album or film in which the song appears is preferable to redirecting to the artist when possible.
After establishing Everclear’s rock radio credentials with their signature song “Santa Monica” in 1995, So Much for the Afterglow brought Everclear close to mainstream success, with hits ...
James W. Hartzell (December 25, 1931 – September 11, 2010) was an American advertising copywriter. He created many successful advertising campaigns. He is principally recalled for originating the 1974 "Baseball, Hot Dogs, Apple Pie and Chevrolet" campaign that Car and Driver and other publications have ranked as the best automobile commercial of all time.
It’s the most important Super Bowl commercial of all time. Apple’s iconic Macintosh advert, simply called “1984” and based on George’s Orwell’s novel of the same name, ...
"Everything to Everyone", "I Will Buy You A New Life", and "Father of Mine" received heavy rotation on MTV's Total Request Live and launched Everclear into mainstream popularity in the late-90s. So Much for the Afterglow provided Everclear with their only Grammy nomination to date, a Best Rock Instrumental nod in 1998 for "El Distorto de Melodica."