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Faux bois (from the French for false wood) refers to the artistic imitation of wood or wood grains in various media. The craft has roots in the Renaissance with trompe-l'œil . It was probably first crafted with concrete using an iron armature by garden craftsmen in France called " rocailleurs " using common iron materials: rods, barrel bands ...
Graining is the art of imitating the different types of natural wood grain. It ranges from simple Clair Bois to intricate English Walnut . The panelling of the great chamber of Theobalds House in England, used by James VI and I , was decorated in "walnut tree colour" in 1618 with highlighted mouldings in black and gold.
Graining, wood graining, or faux bois (French for "fake wood") is often used to imitate exotic or hard-to-find wood varieties. Trompe-l'œil, "fool the eye" in French, is a realistic painting technique often used in murals, and to create architectural details as well as depth and 3 dimensionality.
Thomas Kershaw in c. 1880s. Thomas Kershaw (1819–1898) was a leading British pioneer of marbleising, the creation of imitation marble finishes.. He was born in Standish, Lancashire.
The start of the practice dates from before the seventh century AD. The technique of intarsia inlays sections of wood (at times with contrasting ivory or bone, or mother-of-pearl) within the solid wood matrix of floors and walls or of tabletops and other furniture; by contrast marquetry assembles a pattern out of veneers glued upon the carcass.
Several doors in the house were decorated using a technique known as faux bois, or painting a common wood to look like a finer wood. In the William S. Simmons plantation, this technique was used to add wood grain and even the appearance of panels to several doors.