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Mozart Piano Concertos Nos 20 and 21. Cambridge Music Handbooks. Cambridge University Press. ISBN 0-521-48475-8. Hutchings, Arthur (1997). A Companion to Mozart's Piano Concertos. Oxford University Press. ISBN 0-19-816708-3. Mozart, W. A. Piano Concertos Nos. 1–6 in full score. Dover Publications, New York. ISBN 0-486-44191-1
Piano Concerto No. 5 in D major, K. 175, was composed by Wolfgang Amadeus Mozart in 1773 at the age of 17. It is Mozart's first original piano concerto; his previous efforts were based on works by other composers. In 1782, he revised the score and composed a new rondo, adding a flute to the instrumentation (K. 382).
0–9. Piano Concertos Nos. 1–4 (Mozart) Piano Concertos K. 107 (Mozart) Piano Concerto No. 5 (Mozart) Piano Concerto No. 6 (Mozart) Piano Concerto No. 7 (Mozart)
In 1776, Wolfgang Amadeus Mozart composed three piano concertos, one of which was the Concerto for three pianos and orchestra in F major, No. 7, K. 242. He originally finished it in February 1776 for three pianos; however, when he eventually recomposed it for himself and another pianist in 1780 in Salzburg, he rearranged it for two pianos, and that is how the piece is often performed today.
The Piano Concerto No. 16 in D major, K. 451, is a concertante work for piano, or pianoforte, and orchestra by Wolfgang Amadeus Mozart. Mozart composed the concerto for performance at a series of concerts at the Vienna venues of the Trattnerhof and the Burgtheater in the first quarter of 1784, where he was himself the soloist. [1] Mozart noted ...
The concerto departs from the usual solo piano concerto with the dialogue between the two pianos as they exchange musical ideas. [3] Mozart divides up the more striking passages quite evenly between the two pianos. Also, the orchestra is rather more quiet than in Mozart's other piano concertos, leaving much of the music to the soloists.