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The Song of Hiawatha (full name: Scenes from The Song of Hiawatha by Henry Wadsworth Longfellow), Op. 30, is a trilogy of cantatas written by Samuel Coleridge-Taylor between 1898 and 1900. The first part, Hiawatha's Wedding Feast, was particularly famous for many years and made the composer's name known throughout the world.
Samuel Coleridge-Taylor was born at 15 Theobalds Road in Holborn, London, [3] to Alice Hare Martin (1856–1953), [4] an Englishwoman, and Daniel Peter Hughes Taylor, a Creole man from Sierra Leone who had studied medicine in London and later became an administrator in West Africa. They were not married, and Daniel had returned to Africa ...
During Coleridge's 1793 summer vacation from Christ's Hospital, he stayed with his family members in Ottery St Mary, Devon. [1] Both "Songs of the Pixies" and the smaller "To Miss Dashwood Bacon", written during this time, refer to The Pixies' Parlour, a place near Ottery and to events taking place during Coleridge's vacation: the locals during that time dubbed Miss Boutflower as "fairy queen ...
Late in the century, Gustav Mahler wrote his early Das klagende Lied on his own words between 1878 and 1880, and Samuel Coleridge-Taylor created a successful trilogy of cantatas, The Song of Hiawatha between 1898 and 1900.
Samuel Coleridge-Taylor arranged the song as the first movement of his Trio in E minor of 1893. [5] Multiple recordings of the song were made by Paul Robeson, starting in 1926. [6] Mahalia Jackson recorded the song for her album Bless This House in 1956. [7] Bessie Griffin and The Gospel Pearls recorded the song on their Portraits in Bronze ...
William de Leftwich Dodge's painting Death-Of-Minnehaha "The Death of Minnehaha" was a part of Henry Wadsworth Longfellow's 1855 poem The Song of Hiawatha. It was rendered by the painter William de Leftwich Dodge in 1892, as the painting Death-Of-Minnehaha.
During 1802, Coleridge wrote the poem Hymn Before Sunrise, which he based on his translation of a poem by Brun.However, Coleridge told William Southeby another story about what inspired him to write the poem [1] in a 10 September 1802 letter: "I involuntarily poured forth a Hymn in the manner of the Psalms, tho' afterwards I thought the Ideas &c disproportionate to our humble mountains ...
When Southey wished to print a revised version of the poem for a work on Chatterton, Coleridge wrote: [3] on a life and death so full of heart-going realities as poor Chatterton's, to find such shadowy nobodies as cherub-winged Death , Trees of Hope , bare-bosomed Affection and simpering Peace , makes one's blood circulate like ipecacuanha.