Ad
related to: history of the trumpet timeline of events pdf
Search results
Results From The WOW.Com Content Network
The most notable exception is the medieval olifant, a short, thick, end-blown trumpet carved from ivory, which was apparently introduced to Europe by the Saracens at the time of the Crusades; a Middle Eastern instrument, the olifant was possibly adapted by the Arabs from African models, which have a long history. Clay trumpets can be found in ...
The art of the trumpet-maker: the materials, tools, and techniques of the seventeenth [sic] and eighteenth centuries in Nuremberg. Oxford [England]: Clarendon Press. ISBN 0-19-816223-5. Bate, Philip (1978). The trumpet and trombone : an outline of their history, development, and construction (2nd ed.). London: E. Benn. ISBN 0-393-02129-7.
Tarr owned one of the largest collections of original trumpet literature, which was acquired by the Royal Conservatoire of Scotland's Archives & Collections in 2014. He was also editor of many performance editions (including the complete trumpet works of Torelli mentioned above) as well as an authority on the history of the trumpet.
Sep. 1—Learn about the evolving role of the trumpet in opera during an interactive presentation by conductor and educator Oliver Prezant and master trumpeter Peter Bond. During the presentation ...
J. S. Bach, for example, calls for a trumpet in B ♭ in his Cantatas Nos. 5 and 90, trumpets in E ♭ in the first version of his Magnificat and, most famously, the solo trumpet in high F in his Brandenburg Concerto No. 2. In the 18th century various attempts were made to overcome the limitations in the notes available to natural trumpets.
In 1924 Bach began producing cornets and trumpets under the Stradivarius by Vincent Bach Corporation name. [2] [7] In 1928, tenor and bass trombones were added to the product line as the company expanded and relocated. [2] Vincent Bach trumpet mouthpiece. Bronx. Time frame: 1928–1945; Products: Mouthpieces, Cornets, Trumpets, Flugelhorns ...
After studying at Hofstra University, New York University, Columbia University and Merton College, Oxford, [1] where he was awarded a D. Phil. (Ph.D.) in the history of music in 1967, Smithers became associate professor at Syracuse University and, thereafter, Docent for the History of Music and Musical Performance at the Royal Conservatory of The Hague in 1975.
The use of natural versus baroque trumpets is controversial. In general, however, most professional trumpeters regard the modern baroque trumpet, with at least one vent hole, as a necessary compromise to ensure acceptable intonation and secure attack for players of modern trumpets, while still providing an approximation of the original sound.