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Pages in category "Twelve-tone compositions by Arnold Schoenberg" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes .
Virtually all published works after 1953 (exceptions include his Mass, and the twelve-tone technique used rarely follows Schoenberg's system) Karlheinz Stockhausen. Drei Lieder for alto voice and chamber orchestra, Nr. 1/10 (1950) [11] Sonatine, for violin and piano, Nr. ⅛ (1951) [12] Igor Stravinsky, works from 1952 forward: [13] Cantata (1952)
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition.The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded equally often in a piece of music while preventing the emphasis of any one note [3] through the use of tone rows, orderings of the 12 pitch classes.
Among Schoenberg's twelve-tone works are the Variations for Orchestra, Op. 31 (1928); Begleitungsmusik zu einer Lichtspielscene, Op. 34 (1930); Piano Pieces, Opp. 33a & b (1931), and the Piano Concerto, Op. 42 (1942). Contrary to its reputation for doctrinaire strictness, Schoenberg's technique varied according to the musical demands of each ...
Polyphonic complex of three tetrachords from early sketch for Schoenberg's Suite for Piano, Op. 25. [1] The bottom being the BACH motif in retrograde: HCAB.. Arnold Schoenberg's Suite for Piano (German: Suite für Klavier), Op. 25, is a 12-tone piece for piano composed between 1921 and 1923.
The fire claimed the full range of Schoenberg’s groundbreaking compositions held there, from early Romantic pieces to his revolutionary 12-tone works and transformative masterpieces like ...
Sechs kleine Klavierstücke [Six little piano pieces] 1911 20 Herzgewächse [Foliage of the heart] for soprano, celesta, harmonium, harp 1911 21 Pierrot Lunaire: 1912 22 Four Orchestral Songs: 1913/16 23 Fünf Stücke [Five Pieces] for Piano: 1920/23 24 Serenade 1920/23 25 Suite for Piano: 1921/23 26 Wind Quintet: 1924 27 Vier Stücke [Four ...
Piece number five, the waltz, uses a series of all twelve equal-tempered pitches, although with no transpositions or inversions. It is sometimes described as the first 12-tone work, but Schoenberg wrote it in February 1923, and he had previously composed portions of the entirely 12-tone Suite for Piano as early as 1921. [4]