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A double reed [1] is a type of reed used to produce sound in various wind instruments.In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other.
Drawing of the mouthpiece of an aulos. [5]There were several kinds of aulos, single or double.The most common variety was a reed instrument. [6] Archeological finds, surviving iconography and other evidence indicate that it was double-reeded, like the modern oboe, but with a larger mouthpiece, like the surviving Armenian duduk. [7]
A double reed is mounted inside a long windcap. Blowing through a slot in the windcap produces a musical note. The pitch of the note can be varied by opening or closing finger holes along the length of the pipe. One unusual feature of the crumhorn is its shape; the end is bent upwards in a curve resembling the letter 'J'.
These were double reed instruments fitted with a capsule that completely enclosed the reed, which softened the sound but still did not allow for any variation in dynamics. Known by the Spanish term chirimia, the shawm remains an important ritual instrument among Maya peoples of Highland Guatemala. Accompanied by a drum, the chirimia is ...
By contrast, the crumhorn (also known by names including crum horn, crumm horn, Krummhorn, Krummpfeife, Kumbhorn, cornamuto torto, and piva torto) is a capped double-reed instrument usually shaped like a letter "J" and possessing a rather small melodic range spanning a ninth (i.e. just over an octave) unless extended downward by keys or by the technique of underblowing, which increases the ...
Double-reed instrument stubs (56 P) Pages in category "Double-reed instruments" The following 25 pages are in this category, out of 25 total.
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The cornamuse is a double reed instrument dating from the Renaissance period. [1] It is similar to the crumhorn in having a windcap over the reed and cylindrical bore. The only evidence for the cornamuse comes from a description and a few comments by Michael Praetorius in Syntagma musicum II, published in 1619.