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Luisita Leers was born in into a family of circus artists: her mother Gertrude was an acrobat, and her adoptive father Guido Krökel was a ring specialist. [1] She was trained by Krökel from the age of six. She made her debut in his troupe in March 1920, aged only eleven.
She subsequently mounted the trapeze and disrobed down to her acrobat leotards in the midst of the trapeze's swinging motion. She appears to have begun performing while in her late teens, and this was part of her repertoire at least as early as May 1, 1898, [ 2 ] and possibly before 1896, when her act was seen by critic George Jean Nathan while ...
Circus skills are a group of disciplines that have been performed as entertainment in circus, carnival, sideshow, busking, variety, vaudeville, or music hall shows. Most circus skills are still being performed today.
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A female acrobat depicted on an Ancient Greek hydria, c. 340–330 BC. Female acrobat shooting an arrow with a bow in her feet; Gnathia style pelikai pottery; 4th century BC Acrobatic performance in India c. 1863. Acrobatic traditions are found in many cultures, and there is evidence that the earliest such traditions occurred thousands of years ...
The appearance of Pelé in Kansas City in 1968 became part of the connective tissue of the city’s rise from soccer-oblivious to a World Cup host.
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Washington trapeze (also known as head trapeze or heavy trapeze) refers to a variation on static and swinging trapeze where the aerialist performs various headstand skills on the bar, which is typically much heavier than a normal trapeze bar and has a small (about 4-inch round) headstand platform on it. The trapeze is supported by wire cables ...