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Later, talented players such as the early baroque composer Girolamo Fantini demonstrated that by playing in the extreme upper register and "lipping" the notes of the 11th and 13th harmonics (that is, flattening or sharpening those impure harmonics into tune with the embouchure), it was possible to play diatonic major and minor scales (and ...
Natural horns (423.121.2) and natural trumpets (423.1). ... Natural horn players (4 P) Natural trumpet players (3 P) Pages in category "Natural horns and trumpets"
1 Classical players. 2 Jazz and commercial players. 3 See also. 4 References. ... This article lists notable musicians who have played the trumpet, cornet or flugelhorn.
He was the first to authentically perform and record trumpet parts, like those of cantatas Du sollt Gott, deinen Herren, lieben, BWV 77, and Es reißet euch ein schrecklich Ende, BWV 90, on an uncompromised [clarification needed] copy of a Baroque-era natural trumpet and an original 18th-century mouthpiece. His last recording on LP, released in ...
It is designed to allow modern performers to imitate the natural trumpet when playing music of that time, so it is often associated with it. The term 'baroque trumpet' is often used to differentiate an instrument which has added vent holes and other modern compromises, from an original or replica natural trumpet which does not. [2]
Pages in category "Natural trumpet players" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. C. Jean-Pierre ...
The birch trumpet (Norwegian: neverlur, Swedish: näverlur, Latvian: tās̆u taure, Lithuanian: ragas, daudytė, Finnish: tuohitorvi, Estonian: karjapasun [1] [2] [3]) is a type of natural trumpet made of spruce covered with birch bark, known in Norway, Sweden, Finland, England, Denmark, Latvia, Lithuania, Belarus and Estonia. Even cruder and ...
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth centuries, the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. [ 1 ]