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The instrumental music was written by George Bruns and orchestrated by Walter Sheets. Two of the cues were reused from previous Disney films, with the scene where Mowgli wakes up after escaping King Louie using one of Bruns' themes for Sleeping Beauty, and Bagheera giving a eulogy to Baloo when he mistakenly thinks the bear was killed by Shere Khan being accompanied by Paul J. Smith's organ ...
The Shermans were brought onto the film by Walt Disney, who felt that the film in keeping with Rudyard Kipling's book was too dark for family viewing. In a deliberate effort to keep the score light, this song as well as the Sherman Brothers' other contributions to the score generally concern darker subject matter than the accompanying music would suggest. [3] "
According to Debney, "Jon [Favreau] wanted a timeless sound to the score and I embraced that." [7] Debney listened to the other versions of the Jungle Book soundtracks, including those for the 1967 and 1994 animated version, before working on the score, as they were so many iterations developed by other composers.
Working with concept art of what the monkeys would look like, [6] Richard Sherman said he and his brother aimed for a jazz sound, with a Dixieland-like melody. He added that "when we first got an idea for 'I Wan'na Be Like You', we said an ape swings from a tree, and he's the king of apes. We'll make him 'the king of the swingers'. That's the ...
Mowgli: Legend of the Jungle (Original Motion Picture Soundtrack) is the soundtrack to the 2018 film of the same name directed by Andy Serkis. The original score is composed by Nitin Sawhney, who previously worked with Serkis in Breathe (2017). The album consists of 29 tracks from Sawhney's score and an original song "Changes" performed by Kara ...
An annual International Dawn Chorus Day is held on the first Sunday in May [6] when the public are encouraged to rise early to listen to bird song at organised events. The first ever was held at Moseley Bog in Birmingham, England, in 1987, organized by the Urban Wildlife Trust (now The Wildlife Trust for Birmingham and the Black Country).
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In 2016, Ignatiy Vishnevetsky of The A.V. Club described the song as "a placid piece of music that uses a sophisticated palette of synthesized instruments and futuristic sound effects to create a mood of calm that's very different from the sped-up themes usually associated with platform games", being "more nocturnal and urban than submarine".