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Sporadic articles for news papers and magazine came along until the newspaper El País published one short story "El Palo de Golf" which later made part of a series of 10 short stories La noche del Demonio (The Night of the Demon), published in 2007 by Villegas Editores.
The Devil's Nightmare (French: La plus longue nuit du diable, lit. 'The Devil's Longest Night', Italian: La terrificante notte del demonio, lit. 'The Terrifying Night of the Demon') is a 1971 supernatural horror film directed by Jean Brismée and starring Erika Blanc, Jean Servais, Daniel Emilfork, and Lucien Raimbourg.
Night of the Demon (U.S. title: Curse of the Demon) is a 1957 British horror film directed by Jacques Tourneur and starring Dana Andrews, Peggy Cummins and Niall MacGinnis. [2]
In a contemporary review, Nigel Andrews reviewed a dubbed 88 minute version. [6] Andrews stated that despite "the brief surrealist promise of the opening scenes-a close-up of a face crawling with larvae cutting ingeniously to Niccola's head enveloped in the serpentine wires of an encephalograph", Night of the Devils had "all the usual defects of a low-budget horror quickie-careless direction ...
In 1953, Elise Rainier lives in Five Keys, New Mexico, with her parents, mother Audrey and abusive father Gerald, and brother, Christian.Elise and Christian are frightened by a spirit in their bedroom, and Christian loses a whistle their mother gave him to call for help.
Black Sunday (Italian: La maschera del demonio, lit. 'The mask of the demon') is a 1960 Italian gothic horror film directed by Mario Bava in his official directorial debut, and starring Barbara Steele, John Richardson, Andrea Checchi, Ivo Garrani, Arturo Dominici and Enrico Oliveri.
Blue Demon y Zovek en "La invasión de los muertos" (Blue Demon & Zovek In "The Invasion of The Dead") (1971) La noche de la muerte (Blue Demon in "Night of Death") (1972) Blue Demon en la mafia amarilla (Blue Demon In "The Yellow Mafia") (1972) Vuelven los campeones justicieros (The Champions of Justice Return) (1972)
The director uses colors or the composition of the shots to describe the mental state of his characters (white daisies in a blue vase versus the same blue flowers of the two mothers) or uses their bodies in an expressive and always original way, feminine or masculine, exposed as an offering, generous or reproachful (squatting), blurred (the steam in the shower before the transparency of the ...