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The jazz minor scale or ascending melodic minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used. As the name implies, it is primarily used in jazz [citation needed], although it may be found in other types of music as well. It may be derived from the major scale with a minor third, [1 ...
B 7 (♭ 9 or ♯ 9, ♯ 11, ♭ 13) chord (functions as a dominant with the fifth of the chord replaced by ♯ 11 or ♭ 13, may also be used to harmonize a vii ø chord in melodic minor). This scale is the same as B ♭ Ionian (as the VII scale of I (C) dorian), but the root itself raised a half-step to B ♮ .
Chord-scale system. Heptatonic scale. Jazz scale. List of chord progressions. List of chords. List of musical intervals. List of pitch intervals. Arabian maqam. Modes of limited transposition.
A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth degree of its relative major scale. For instance, the A natural minor scale can be built by starting on the 6th degree of the C major scale: Because of this, the key of A minor is called the relative minor of C major.
Notably, all altered tones mentioned above, along with the 3 and ♭ 7, are present in the melodic minor scale whose root is a half-step above the root of the alt chord (i.e., E ♭ melodic minor for D 7alt). In other words, the altered scale is the seventh mode of the jazz minor scale. This scale is commonly used to improvise over an altered ...
Chord-scale system. The chord-scale system is a method of matching, from a list of possible chords, a list of possible scales. [2] The system has been widely used since the 1970s. [3] However, the majority of older players used the chord tone/chord arpeggio method. The system is an example of the difference between the treatment of dissonance ...
Avoid note. In jazz theory, an avoid note is a scale degree which is considered especially dissonant relative to the harmony implied by the root chord, and is thus better avoided. In major-key tonality the avoid note is the fourth diatonic scale step, or 11th, which is a minor ninth above the 3rd of the chord, and thus very harsh. [1]
By the end of the Baroque era, however, conventional academic views of B minor had shifted: Composer-theorist Francesco Galeazzi (1758–1819) [2] opined that B minor was not suitable for music in good taste. Beethoven labelled a B-minor melodic idea in one of his sketchbooks as a "black key". [3]