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  2. Bonnie and Clyde (film) - Wikipedia

    en.wikipedia.org/wiki/Bonnie_and_Clyde_(film)

    Bonnie and Clyde is a 1967 American biographical neo-noir crime film directed by Arthur Penn and starring Warren Beatty and Faye Dunaway as the title characters Clyde Barrow and Bonnie Parker. The film also features Michael J. Pollard, Gene Hackman, and Estelle Parsons. The screenplay is by David Newman and Robert Benton.

  3. Michael J. Pollard - Wikipedia

    en.wikipedia.org/wiki/Michael_J._Pollard

    In 1967, he played the supporting role of C. W. Moss [16] in Arthur Penn's Bonnie and Clyde, alongside Warren Beatty, Faye Dunaway, Gene Hackman, and Estelle Parsons, for which he received Academy Award and Golden Globe Award nominations for Best Supporting Actor [17] [18] and won a BAFTA Award for Most Promising Newcomer to Leading Film Roles.

  4. Bonnie and Clyde - Wikipedia

    en.wikipedia.org/wiki/Bonnie_and_Clyde

    The 1967 film Bonnie and Clyde, directed by Arthur Penn and starring Warren Beatty and Faye Dunaway in the title roles, was a commercial and critical success which revived interest in the criminals and glamorized them with a romantic aura. [3]

  5. Faye Dunaway - Wikipedia

    en.wikipedia.org/wiki/Faye_Dunaway

    In 1998, the American Film Institute ranked Bonnie and Clyde, Chinatown, and Network on their list of the 100 best American movies ever made. [134] Her roles as Bonnie Parker and Joan Crawford were respectively named 32nd and 41st on the AFI's list of the fifty greatest screen characters in the villain category. [135]

  6. Shirley MacLaine Addresses Why She and Brother Warren ... - AOL

    www.aol.com/shirley-maclaine-addresses-why-she...

    There was one time they talked about working together — in the late '60s when Beatty, then still a rising star, was producing a movie called Bonnie and Clyde.

  7. Dede Allen - Wikipedia

    en.wikipedia.org/wiki/Dede_Allen

    Between Bonnie and Clyde (1967) and 1978's The Wiz, Allen edited or co-edited 11 films, all but one for Arthur Penn, George Roy Hill or Sidney Lumet, that helped redefine the way that Hollywood cut – using jump cuts, overlapping sound, and abrupt changes of pace to capture the inner qualities of characters and highlight narrative tension.