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In the late 1950s, popular artists such as Peret (El Rey de la Rumba) and El Pescaílla developed an uptempo style that combined elements from rumba flamenca, Spanish gypsy music and pop. This became known as Catalan rumba (rumba catalana). [16] In the 1980s, the style gained international popularity thanks to French ensemble Gipsy Kings.
Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form.
Spanish: mambo, enchilada, rumba, (the Spanish words mambo and rumba are commonly used in Italian with the same meaning). Neapolitan: paisà (in Italian paesano; in English villager or fellow countryman). A number of Italian words are deliberately misspelled ("Giovanno" instead of "Giovanni", and "hello, che se dice" for "hello
Cuban transculturation melds Spanish culture with African cultures, as with the seamless merging found in rumba. Ortiz saw transculturation as a positive social force: "consecrating the need for mutual understanding on an objective grounding of truth to move toward achieving the definitive integrity of the nation."
Rumba clave in duple-pulse and triple-pulse structures. Rumba clave is the key pattern (guide pattern) used in guaguancó. There is some debate as to how the 4/4 rumba clave should be notated for guaguancó. [1] In actual practice, the third and fourth stroke often fall in rhythmic positions that do not fit neatly into music notation. [2]
Cuban rumba, a traditional Cuban music genre; Galician rumba, a music genre of Galicia, Spain, influenced by Cuban music. Rhumba, also known as ballroom rumba, an American style of ballroom music; Rumba flamenca, a style of flamenco; Catalan rumba, a Spanish popular music style; Rumba criolla, a genre of Colombian popular music
¡Ay, caramba!" (pronounced [ˈaj kaˈɾamba]), from the Spanish interjections ay (denoting surprise or pain) and caramba (a minced oath for carajo), is an exclamation used in Portuguese and Spanish to denote surprise (usually positive). [1]
a measure or bar; flamencos use the word to mean both (a) the name of the type of twelve-count and (b) the rhythmic skill of a performer contratiempo cross-rhythms; including syncopation and rubato copla verse of cante flamenco, as against the cuple of a (non-flamenco) canto coraje a way of performing that shows impetuosity or daring (lit ...