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"Nowhere Girl" is a single by English new wave band B-Movie. It was originally released on 2 November 1980, and later re-released in 1982, reaching No. 67 in the UK [3] and No. 20 in Sweden. [4]
B-television is the term used by the German media scholar Heidemarie Schumacher in her article "From the True, the Good, the Beautiful to the Truly Beautiful Goods—audience identification strategies on German 'B-Television' programs" as an analogy to "B-movie" to characterize the development of German commercial television, which adopted "the ...
The two other trucks are a Kenworth pulling logs, and a cab-over Peterbilt with a "reefer" (refrigerated trailer) attached; the lyrics are unclear which one of the two the Rubber Duck was driving (the sequel song "'Round the World with the Rubber Duck" more strongly implies he indeed is driving the Peterbilt, [14] which would be consistent with ...
But even in 1946, the year it was released, the song was employed in the B-movie Columbia release The Secret of the Whistler when the protagonist (played by series lead Richard Dix) meets the femme fatale. It was later also recorded by: Gypsy Rose Lee in the movie Screaming Mimi; Gale Robbins in the movie The Fuller Brush Girl
"Shambala" is a song written by Daniel Moore and made famous by two near-simultaneous releases in 1973: the better-known but slightly later recording by Three Dog Night, which reached No. 3 on the Billboard Hot 100, and a version by B. W. Stevenson.
The song occurs in the chalk-drawing outing animated sequence, just after Mary Poppins wins a horse race.Flush with her victory, she is immediately surrounded by reporters who pepper her with questions and suggest that she is at a loss for words.
The lyrics, written by Taupin, contain autobiographical elements, referring to his childhood on a farm in Lincolnshire. [6] The song expresses a desire to get back to one's "roots", a common theme of Taupin's early lyrics. [7] In 2014, Taupin reflected, "It's been said many times, but Goodbye Yellow Brick Road is a cinematic album. The lyrics ...
In his iTunes Originals interviews, Folds addresses his fanbase's disapproval: "When you have a hit song, much of your fanbase and people that listen to your music... their opinion is gonna be loud and clear that they feel that you've abandoned the fanbase; you've written something that's not for them, it's for everybody else, you've 'sold out', all kinds of things like that...