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A cult film or cult movie, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase , which forms an elaborate subculture, members of which engage in repeated viewings, dialogue-quoting, and audience participation .
Cult films are films with a dedicated and passionate following, often defined by their opposition to mainstream appeal and traditional cinematic norms. [1] While the term lacks a singular definition, it generally includes films that inspire devoted fan engagement, such as cosplay, participatory screenings, and festivals.
Cruel Intentions is a 1999 American teen romantic drama film written and directed by Roger Kumble, and starring Sarah Michelle Gellar, Ryan Phillippe, Reese Witherspoon, and Selma Blair. The film, set in New York City among rich high schoolers, is a modern retelling of Pierre Choderlos de Laclos ' 1782 novel Les Liaisons dangereuses .
Overrated Cult Classic Movies. Conventional wisdom holds that there are two kinds of cult classic movies. The first is “the lost gem,” a great film that failed at the box office but found a ...
Yet as Los Angeles Magazine reported in 2020, “As a select few bad movies do, ‘Showgirls’ went on to become a cult classic, screened and celebrated ad nauseam in the 25 years since it was ...
To qualify for the list, each film had to receive mixed-to-negative reviews at the time of its release before eventually rising to beloved cult classic status, netting at least a 6.5 rating on IMDb.
The Man Who Fell to Earth is a 1976 British science fantasy drama film [4] directed by Nicolas Roeg and adapted by Paul Mayersberg. [5] Based on Walter Tevis's 1963 novel of the same name, the film follows an extraterrestrial named Thomas Jerome Newton (David Bowie) who crash-lands on Earth seeking a way to ship water to his planet, which is suffering from a severe drought, but finds himself ...
The psychology of film is a sub-field of the psychology of art that studies the characteristics of film and its production in relation to perception, cognition, ...