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The instrument was largely inspired by the glass harmonica created by Benjamin Franklin, [6] and was given the name glasschord by him. [7] On 6 July 1785, Thomas Jefferson that Franklin carried a version of the instrument with him, describing it as a sticcado .
The concerto finishes with piano solo, sadly playing low F minor chords. The final part of the work is, perhaps, its most important. Glass comments: "I wanted this final movement to reflect also the expanse of time - what the land was before the expedition and what it became after."
Maurice Ravel uses this chord in his piano work Jeux d'eau to create flourishing, water-like sounds that characterize the piece. In his article "Ravel's 'Russian' Period: Octatonicism in His Early Works, 1893-1908", Steven Baur notes that Jeux d'eau was composed in 1901, ten years before Stravinsky composed Petrushka (1911), suggesting that ...
Piano Grand piano Upright piano Keyboard instrument Hornbostel–Sachs classification 314.122-4-8 (Simple chordophone with keyboard sounded by hammers) Inventor(s) Bartolomeo Cristofori Developed Early 18th century Playing range The Well-Tempered Clavier, first prelude of Book I Played by Kimiko Douglass-Ishizaka Problems playing this file? See media help. A piano is a keyboard instrument that ...
Piano Concerto No. 4 in G minor, Op. 40, is a major work by Russian composer Sergei Rachmaninoff, completed in 1926. The work exists in three versions. The work exists in three versions. Following its unsuccessful premiere (1st version), the composer made cuts and other amendments before publishing it in 1928 (2nd version).
Glass then inserts a characteristic series of chord progressions often present in his mature style. These rise in intensity, flying into a complex, ecstatic tutti . Playing throughout the majority of the movement, the timpani guide the orchestra into a quick descent, and, having quieted the ensemble, provide gentle pulse .
In an oxymoronic way, the Broncos may not have the horses to hang in this one. 5. No. 5 Los Angeles Chargers at No. 4 Houston Texans (Saturday, 4:30 p.m. ET, NBC/Peacock)
These concerti are therefore a high-point of Glass' classical direction: they demonstrate a distinct combination of Postmodernist methods and older, more conventional repertoire (incidentally, Glass' favorite composer is Schubert, whose Classical-Romantic bridging can be heard as a considerable influence on the contemporary composer's stylistic ...