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Chinese musicology is the academic study of traditional Chinese music. This discipline has a very long history. This discipline has a very long history. Traditional Chinese music can be traced back to around 8,000 years ago during the Neolithic age.
Chinese musical instruments are traditionally grouped into eight categories (classified by the material from which the instruments were made) known as bā yīn (). [1] The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these groups.
The Korean chuk is essentially identical to the zhu and continues to be used in Korean ritual music. Unlike many Chinese reconstructions of the zhu, which are typically open at the top, the chuk is frequently covered and the performer strikes the bottom of the instrument through a hole for that purpose.
The oldest extant written Chinese music is "Youlan" (幽蘭) or the Solitary Orchid, composed during the 6th or 7th century, but has also been attributed to Confucius. The first major well-documented flowering of Chinese music was for the qin during the Tang dynasty (618-907AD), though the qin is known to have been played since before the Han ...
This contrasted with the zhu, a tapered hollow box whose inner bottom surface was struck to mark the beginning of music. Both instruments appear in Zhou-era annals and the Classic of History [ 2 ] but are now rarely used, with surviving examples usually simply displayed in museums and Confucian temples .
The earliest music notation discovered is a piece of guqin music named Jieshi Diao Youlan (Chinese: 碣石調·幽蘭) during the 6th or 7th century. The notation is named "Wenzi Pu", meaning "written notation". The Tang manuscript, Jieshidiao Youlan (碣石調·幽蘭) The tablature of the guqin is unique and complex.