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Encyclopedia of Native American Jewelry: A Guide to History, People, and Terms. Phoenix: Oryx Press, 2000. ISBN 1-57356-128-2. Branson, Oscar T. Indian Jewelry Making. Tucson, AZ: Treasure Chest Publications, 1977. ISBN 0-442-21418-9. Dubin, Lois Sherr. North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry ...
The stones we use are of a wider variety than those usually associated with Indian jewelry. The symbols and narrative on our pieces are expansions of traditional symbols and stories.” [8] Southwest Native American art dealer and book author Martha Hopkins Lanman Struever held the first gallery show for Bird and Johnson in Chicago in 1978 ...
After being widowed, Struever began collecting and dealing in American Indian art. In 1971 she visited San Ildefonso Pueblo and purchased her first piece, a "gun metal sheen" pottery plate by Maria Montoya Martinez and her son Popovi Da. [6] In 1976, she established the Indian Tree Gallery in Chicago, Illinois featuring historic and contemporary American Indian jewelry, pottery, Kachina dolls ...
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Collection of the National Museum of the American Indian, of the Smithsonian Institution. Orville Z. Tsinnie (1943–May 23, 2017) was a Diné silversmith, jewelry maker and katsina carver from the Navajo Nation. He lived and worked in Shiprock (Navajo: Tse bit'a'i), New Mexico for most of his life.
Charles Sequevya Loloma (January 7, 1921 — June 9, 1991) was a Hopi Native American artist known for his jewelry. He also worked in pottery, painting and ceramics. A highly influential Native American jeweler during the 20th century, [1] Loloma popularized use of gold and gemstones not previously used in Hopi jewelry.