Search results
Results From The WOW.Com Content Network
Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Ascension of Christ and Noli me tangere, c. 400, ivory, Milan or Rome, now in Munich.See below for a similar Ascension 450 years later.. New Testament scenes that appear in the Early Christian art of the 3rd and 4th centuries typically deal with the works and miracles of Jesus such as healings, the multiplication of the loaves or the raising of Lazarus. [3]
Viewing the crucifix image as "wholly depressing", the Church, led by Cardinal Glick (George Carlin), decides to retire it, and creates Buddy Christ as a more uplifting image of Jesus Christ. [1] The icon consists of a statue of Jesus, smiling and winking while pointing at onlookers with one hand and giving the thumbs-up sign with the other hand.
Batoni represented Jesus with long hair and a short beard, holding in his left hand an inflamed heart with a crown of thorns and with a cross at the top. Batoni's artwork became popular for the official image for the devotion to the Sacred Heart of Jesus. [1] The portrait is the most notable painting of the Sacred Heart of Jesus.
The main light source is not evident in the painting but comes from the upper left; the lesser light source is the lantern held by the man at the right (believed to be a self-portrait of Caravaggio; also, presumably, representing St Peter, who would first betray Jesus by denying him, and then go on to bring the light of Christ to the world). At ...
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
Christ has both arms drawn a subtle curve, instead of forming a triangle. The loincloth is painted rather small, thus showing the nude body as much as possible. [1] The head shows a narrow halo, as if it came from the figure itself; the face is resting on the chest, showing just enough of his features. [1]