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A bandolier bag is a Native American shoulder pouch, often beaded. Early examples were made from pelts, twined fabrics, or hide, but beginning in the fur trade era, Native American women stitched bags of imported wool broadcloth, lined with cotton calico and often edged with silk ribbons.
He was inspired to start beadwork after seeing a selection of beaded knife cases in a Santa Fe gallery in the mid-1980s. [5] Berryhill began beading knife sheaths to showcase his collection of old knives. [3] Later, he started beading medicine bags, small coin purses, and embellishing antique kitchen utensils as well as Navajo chief's blankets. [7]
A parfleche is a Native American rawhide container that is embellished by painting, incising, or both. Envelope-shaped parfleches have historically been used to contain items such as household tools or foods, such as dried meat or pemmican. They were commonly made in pairs and hung from saddles. Their designs may have once served as maps. [2]
Northern Plains Beaded Pipe Bag c. 1870s The Sioux Quilled Pipe Bag at left is decorated with quillwork forming flora and fauna, buffalo and caterpillars. The "cocoon" design symbolizes spiritual and physical transformation, [ 1 ] and the Sioux spirit Yumni, the whirlwind, responsible for the four directions of the world.
Berry creates beaded bandolier bags, moccasins, belts, knee bands, purses and sashes. She often uses beadwork designs that evolved from pre-Contact Mississippian pottery into traditional 18th and 19th century Southeastern beadwork. [3] Berry discovered a unique stitch only used on Southeastern sashes. [7]
Chancay culture tapestry featuring deer, 1000-1450 CE, Lombards Museum Nivaclé textile pouch, collection of the AMNH. The textile arts of the Indigenous peoples of the Americas are decorative, utilitarian, ceremonial, or conceptual artworks made from plant, animal, or synthetic fibers by Indigenous peoples of the Americas.