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The site consists of three concentric circles; with the outer circle being about 60 metres (200 ft) in diameter. [15] Robert Riordan, Professor of Archaeology at Wright State University and lead archaeologist investigating the site, estimates that about two hundred wooden 10 feet (3.0 m) to 15 feet (4.6 m) tall posts were set in the outer circle.
The front (west) side of the building includes a concrete porch (which replaced the original wood porch) that measures 12 feet wide by 5 feet long with four steps and right and left side round metal hand railings. Two four-paneled solid wood entrance doors with semi-circular tops, hinged to swing outward, lead the way into the church building.
The pigskin heads were tacked to the wooden shells with metal tacks. Through close collaboration with Gene Krupa's concept of fully tunable toms, the Slingerland drum and banjo company were the first, in 1936, to begin offering fully tunable tom-toms (top and bottom heads) with metal or wooden rims, tension rods, and lugs. Most Chinese toms ...
Artist's impression of the circular rampart of Burg, near Celle, Germany. A circular rampart (German: Ringwall) [1] is an embankment built in the shape of a circle that was used as part of the defences for a military fortification, hill fort or refuge, or was built for religious purposes or as a place of gathering.
DayGlo and acrylic on wood 4 ft in diameter Artwork is in the shape of a circle 141 1982 Enamel and DayGlo on metal 72 x 1.5 x 90.5 in 142-2 1982 Enamel and DayGlo on metal 72 x 1.5 x 90.5 in 143 1982 Enamel and DayGlo on metal 72 x 1.5 x 90.5 in 144 1989 Gouache and black ink on paper 24.875 x 28.5 in 145 1989 Gouache and black ink on paper
One style superimposes intersecting circles around the head of the dome. A second uses small circles to punctuate and divide the dome into segments. The third style is a combination of the first two, but far more complex, and uses the arcs of the circles to link the first style's looping circles with the second style's repeating patterns.