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This new idiom, combined with a study of 19th-century French poetry, formed the basis of American input into 20th-century English-language poetic modernism. Ezra Pound (1885–1972), H.D. (1886–1961), and Richard Aldington (1892–1962), conceived of Imagism in 1913, which Pound defined as poetry written with an economy of words. [22]
The expatriate American poet Ezra Pound in 1913; Pound collected poems from eleven poets in his first anthology of Imagist poetry, Des Imagistes, published in 1914. Imagism was a movement in early-20th-century poetry that favored precision of imagery and clear, sharp language.
Modernist poetry is a broad term for poetry written between 1890 and 1970 in the tradition of Modernist literature. [43] [44] Schools within it include already 20th-century Acmeist poetry, Imagism, Objectivism, and the British Poetry Revival.
The American poet Walt Whitman (1819-1892), pre-dated the Modernist era but proved an inspiration to it. Modernist poetry in English started in the early years of the 20th century with the appearance of the Imagists.
The poets listed below were either born in the United States or else published much of their poetry while living in that country. This is a dynamic list and may never be able to satisfy particular standards for completeness.
Robert Lee Frost (March 26, 1874 – January 29, 1963) was an American poet. Known for his realistic depictions of rural life and his command of American colloquial speech, [2] Frost frequently wrote about settings from rural life in New England in the early 20th century, using them to examine complex social and philosophical themes.
A movement originating ca. 1977 in American poetry advocating a return to traditional accentual-syllabic verse [139] [140] Dana Gioia, X.J. Kennedy, Brad Leithauser, Molly Peacock, Mary Jo Salter, Timothy Steele: Performance poetry: This is the lasting viral component of Spoken Word and one of the most popular forms of poetry in the 21st ...
"Spirits of the Dead" was first titled "Visits of the Dead" when it was published in the 1827 collection Tamerlane and Other Poems. The title was changed for the 1829 collection Al Aaraaf, Tamerlane, and Minor Poems. The poem follows a dialogue between a dead speaker and a person visiting his grave. The spirit tells the person that those who ...