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Music to Listen to~Dance to~Blaze to~Pray to~Feed to~Sleep to~Talk to~Grind to~Trip to~Breathe to~Help to~Hurt to~Scroll to~Roll to~Love to~Hate to~Learn Too~Plot to~Play to~Be to~Feel to~Breed to~Sweat to~Dream to~Hide to~Live to~Die to~Go To [note 1] (often abbreviated to Music to Listen To... or ~Go To~) is a commercial release by British rock band Bring Me the Horizon.
"Medicine" is a song by British rock band Bring Me the Horizon. [1] Produced by the band's vocalist Oliver Sykes and keyboardist Jordan Fish, it is featured on the group's 2019 sixth studio album Amo. The track was released as the third single from the album on 3 January 2019.
"Mother Tongue" is a song by British rock band Bring Me the Horizon. [1] Produced by the band's vocalist Oliver Sykes and keyboardist Jordan Fish, it is featured on the group's 2019 sixth studio album Amo.
British rock band Bring Me the Horizon has recorded material for seven studio albums and two commercial releases, the most recent being Post Human: Survival Horror, released in 2020. The band was formed in Sheffield , South Yorkshire in 2004 by Oli Sykes , guitarists Lee Malia and Curtis Ward, bassist Matt Kean and drummer Matt Nicholls .
"Shadow Moses" is a song by British rock band Bring Me the Horizon. Written by vocalist Oliver Sykes, guitarist Lee Malia and keyboardist Jordan Fish, it was produced by Terry Date and featured on the band's 2013 fourth studio album Sempiternal.
"Kool-Aid" is a song by British rock band Bring Me the Horizon. Produced by the band's vocalist Oliver Sykes, Dan Lancaster and Zakk Cervini, it was released as the sixth single from their seventh studio album Post Human: Nex Gen on 5 January 2024.
"Ludens" is a song by British rock band Bring Me the Horizon. [2] Produced by the band's vocalist Oliver Sykes and keyboardist Jordan Fish, it was released as the fifth single of the soundtrack Death Stranding: Timefall on 6 November 2019, and was featured as the first single from the group's 2020 commercial release Post Human: Survival Horror.
"Chelsea Smile" has been identified as evidence of Bring Me the Horizon's musical development on Suicide Season; Exclaim! writer Dave Synyard praised it, alongside "It Was Written in Blood", for featuring "catchier rhythms, lessened guttural vocals and more structured songwriting, as opposed to reverting to a technical onslaught of guitar riffs". [3]