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A literary critic noted that Evans used "black idioms to communicate the authentic voice of the black community is a unique characteristic of her poetry." [21] I Am a Black Woman (1970), her best-known poetry collection, won the Black Academy of Art and Letters First Poetry Award in 1975, and includes her best-known poem, "I Am a Black Woman". [18]
She has been called "the black woman's poet laureate", and her poems have been called the anthems of African Americans. [1] Angelou studied and began writing poetry at a young age, and used poetry and other great literature to cope with trauma, as she described in her first and most well-known autobiography, I Know Why the Caged Bird Sings .
Sonia Sanchez (born Wilsonia Benita Driver; September 9, 1934) [1] is an American poet, writer, and professor. She was a leading figure in the Black Arts Movement and has written over a dozen books of poetry, as well as short stories, critical essays, plays, and children's books.
Her poetic works give voice to her activism set on empowering black women and encouraging them to establish their place in history. Her poem Rotundamente negra (Absolutely Black, 1994) has become a symbol for women in the Afro-descendant women's movements in Latin America for its self-affirming pro-black message.
She wrote a tribute for black athletes for Nike [33] and has a book deal with Viking Children's Books to write two children's picture books. [34] [35] Gorman reading her poem "An American Lyric" in 2017. In 2017, Gorman became the first youth poet to open the literary season for the Library of Congress, and she has read her poetry on MTV.
It tells the stories of seven women who have suffered oppression in a racist and sexist society. [6] As a choreopoem, the piece is a series of 20 separate poems choreographed to music that weaves interconnected stories of love, empowerment, struggle and loss into a complex representation of sisterhood.
African American literature has both been influenced by the great African diasporic heritage [7] and shaped it in many countries. It has been created within the larger realm of post-colonial literature, although scholars distinguish between the two, saying that "African American literature differs from most post-colonial literature in that it is written by members of a minority community who ...
Parker gave her first public poetry reading in 1963 in Oakland. In 1968, she began to read her poetry to women's groups at women's bookstores, coffeehouses and feminist events. [18] Judy Grahn, a fellow poet and a personal friend, identifies Pat Parker's poetry as a part of the "continuing Black tradition of radical poetry". [19]