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Her poetry attested to different movements and issues that were a reality for many other African-American women. Some of the notable poems that provide these issues include, "Fulfillment" [8] which includes pieces that discuss women and society, "Bottled" which shows issues of African-Americans in the English world, and many other famous pieces ...
Angelou was the first African-American woman and living poet selected by Sterling Publishing, who placed 25 of her poems in a volume of their Poetry for Young People series in 2004. [23] In 2009, Angelou wrote " We Had Him ", a poem about Michael Jackson , which was read by Queen Latifah at his funeral. [ 24 ]
Mari Evans (July 16, 1919 [3] [1] – March 10, 2017) [4] was an African-American poet, writer, and dramatist [5] associated with the Black Arts Movement. [6] Evans received grants and awards including a lifetime achievement award from the Indianapolis Public Library Foundation.
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African American literature has both been influenced by the great African diasporic heritage [7] and shaped it in many countries. It has been created within the larger realm of post-colonial literature, although scholars distinguish between the two, saying that "African American literature differs from most post-colonial literature in that it is written by members of a minority community who ...
Amanda S. C. Gorman [1] (born March 7, 1998) [2] is an American poet, activist, and model. Her work focuses on issues of oppression, feminism, race and marginalization, as well as the African diaspora. Gorman was the first person to be named National Youth Poet Laureate. She published the poetry book The One for Whom Food Is Not Enough in 2015.
Sonia Sanchez (born Wilsonia Benita Driver; September 9, 1934) [1] is an American poet, writer, and professor. She was a leading figure in the Black Arts Movement and has written over a dozen books of poetry, as well as short stories, critical essays, plays, and children's books.
A prodigy as a child, Wheatley was the first black person to publish a book of poems in the American colony, and though her poems are sometimes thought of as expressing "meek submission," she is also what Camille Dungy describes as "a foremother," and a role model for black women poets as "part of the fabric" of American poetry. [21]