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Anglican apologist C. S. Lewis gave as an example of this speculation, which he interpreted as what the Church of England's Thirty-Nine Articles, XXII meant by "the Romish doctrine concerning Purgatory", [58] the depiction of the state of purgatory as just a temporary hell with horrible devils tormenting souls. The etymology of the word ...
Though in popular imagination Purgatory is pictured as a place rather than a process of purification, the idea of Purgatory as a physical place is not part of the church's doctrine. [17] However, the church's understanding has typically been that purgatory has a temporal (temporary, terminating, non-eternal) component with only God being ...
For the modern narrow sense the term infernum damnatorum (hell of the damned) was used, as in question 69, article 7 of the Supplement of the Summa Theologica of Thomas Aquinas, which distinguishes five states or abodes of the dead: paradise, hell of the damned, limbo of children, purgatory, and limbo of the Fathers: "The soul separated from ...
Dante's orderly hell is a representation of the structured universe created by God, one which forces its sinners to use "intelligence and understanding" to contemplate their purpose. [17] The nine-fold subdivision of hell is influenced by the Ptolemaic model of cosmology, which similarly divided the universe into nine concentric spheres.
Some hadith depict that rather than this place being a middle ground purgatory in between Heaven and Hell, it is actually just the top layer of Hell, the least severe layer. The word is literally translated as "the heights" in English. The realm is described as a high curtain between hell and paradise. [3]
This was the first meaning given in the apostolic preaching to Christ's descent into Hell: that Jesus, like all men, experienced death and in his soul joined the others in the realm of the dead." It adds: "But he descended there as Saviour, proclaiming the Good News to the spirits imprisoned there." It does not use the word Limbo. [4]
This helps keep Virgil in the foreground of the poem, since (as a resident of Limbo) Virgil is less qualified as a guide here than he was in Hell. [1] As a resident of Purgatory, Sordello is able to explain the Rule of the Mountain: that after sunset souls are incapable of climbing any further. Allegorically, the sun represents God, meaning ...
A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...