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Thuluth script calligraphy of Ali decorating the Hagia Sophia Grand Mosque Map of Constantinople in Hunername-I, an example of Ottoman miniature Two tiles, circa 1560, fritware, painted in blue, turquoise, red, green, and black under a transparent glaze, Art Institute of Chicago (Chicago, USA) Ortaköy Mosque is a neo-baroque example of the Westernization of late Ottoman architecture
This page was last edited on 24 January 2023, at 18:03 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
In the early 16th century, the range of decorative motifs in Ottoman art expanded, as attested in other mediums of Ottoman art such as tiles and manuscript decoration. Only a few fragments of painted ornament have survived in architecture from this era, but a similar trend most likely occurred in this medium as well. [73]
Empire of the Sultans: Ottoman Art of the Khalili Collection was a 1995–2004 touring exhibition displaying objects from the Khalili Collection of Islamic Art. Around two hundred exhibits, including calligraphy, textiles, pottery, weapons, and metalwork, illustrated the art and daily life of six centuries of the Ottoman Empire .
The MS. on display in 2017. The Zubdat al-Tawarikh ('Cream of Histories') is an Ottoman genealogy written in Turkish nashki script by calligrapher Sayyid Loqman Aşuri and illuminated throughout with miniatures by painters al-Sayyid Lutfi, Molla Kasım (Mulla Qasim) and Ustad Osman and their workshop, in 1583, for Sultan Murad III. [1]
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This page was last edited on 17 January 2016, at 18:20 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Ottoman miniature (Turkish: Osmanlı minyatürü) is a style of illustration found in Ottoman manuscripts, often depicting portraits or historic events.Its unique style was developed from multiple cultural influences, such as the Persian Miniature art, as well as Byzantine and Mongol art.