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Highest-grossing films of 1983 by In-year release [55]; Rank Title Distributor Domestic gross 1. Return of the Jedi: 20th Century Fox: $309,306,177 2. Terms of Endearment
By Christmas 1983, the film is no longer playing at most venues but remains in about a hundred theatres until January 1984. [2] Gross earnings were just over $19.2 million. [ 3 ] Over the years, the film's critical reputation would grow considerably and it is now regarded by some as one of the best films of 1983. [ 4 ]
List of 1983 box office number-one films in the United States This page was last edited on 16 February 2019, at 06:17 (UTC). Text ...
The Marvel Cinematic Universe has had four films atop the yearly U.S. box office: The Avengers (2012), Black Panther (2018), Avengers: Endgame (2019), and Spider-Man: No Way Home (2021). No Way Home also gave the Spider-Man film franchise its third leading film.
Opening Title Production company Cast and crew Ref. J A N U A R Y: 7 Xtro: New Line Cinema: Harry Bromley Davenport (director/screenplay); Michel Perry, Iain Cassie, Robert Smith (screenplay); Philip Sayer, Bernice Stegers, Simon Nash, Maryam d'Abo, Danny Brainin, Peter Mandell, David Cardy, Anna Wing, Robert Fyfe, Katherine Best, Robert Pereno, Sean Crawford, Tim Dry, Arthur Whybrow, Susie Silvey
1983 United States: 1984 United States: 1985 United Kingdom United States: 1986 ... Lists of box office number-one films.
The following is a list of films to reach the number-one spot on the box office in the United States: Variety's weekly National Boxoffice Survey leaders List of 1948 box office number-one films in the United States List of 1949 box office number-one films in the United States List of 1950 box office number-one films in the United States List of 1951 box office number-one films in the United ...
Three of the four highest-grossing films, including Avatar at the top, were written and directed by James Cameron.. With a worldwide box-office gross of over $2.9 billion, Avatar is proclaimed to be the "highest-grossing" film, but such claims usually refer to theatrical revenues only and do not take into account home video and television income, which can form a significant portion of a film ...