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All men must die, but death can vary in its significance. The ancient Chinese writer Szuma Chien said, "Though death befalls all men alike, it may be weightier than Mount Tai or lighter than a feather." To die for the people is weightier than Mount Tai, but to work for the fascists and die for the exploiters and oppressors is lighter than a ...
The FBISE was established under the FBISE Act 1975. [2] It is an autonomous body of working under the Ministry of Federal Education and Professional Training. [3] The official website of FBISE was launched on June 7, 2001, and was inaugurated by Mrs. Zobaida Jalal, the Minister for Education [4] The first-ever online result of FBISE was announced on 18 August 2001. [5]
We Are Not Afraid: The Story of Goodman, Schwerner, and Chaney and the Civil Rights Campaign for Mississippi is a 1989 non-fiction book by Seth Cagin and Philip Dray. It concerns the murders of Michael Schwerner , Andrew Goodman , and James Chaney .
After all, because we cannot imagine ourselves dead, this hardly justifies the inference that our existence is necessary. What we know about human attitudes towards death indicates that Heidegger's generalization is false. Some men, and not only figures like Socrates and Spinoza, have no anxiety in the face of death.
We're advancing constantly and we're not interested in holding anything except the enemy's balls. We're going to hold him by his balls and we're going to kick him in the ass; twist his balls and kick the living shit out of him all the time. Our plan of operation is to advance and keep on advancing. We're going to go through the enemy like shit ...
The nothing to hide argument is a logical fallacy which states that individuals have no reason to fear or oppose surveillance programs unless they are afraid it will uncover their own illicit activities. An individual using this argument may claim that an average person should not worry about government surveillance, as they would have "nothing ...
Now that we're in the attic and I've brought up Oedipus, we might as well get it over with: Let's talk about the penis monster. (I had to watch the scene through my fingers both times. It's beyond ...
An admirer of Matisse's cut-outs and of Synthetic Cubism, from the mid-1980s he began to borrow images and designs directly from more recent artists.In We Are Not Afraid (1985), he develops Barnett Newman’s zip motif into a spiral; the title is a reply to Newman's series of paintings Who's Afraid of Red, Yellow and Blue (1966–70).