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André Breton, Manifeste du surréalisme, Éditions du Sagittaire, October 15, 1924. Breton's first manifesto defines surrealism as Psychic automatism in its pure state, by which one proposes to express—verbally, by means of the written word, or in any other manner—the actual functioning of thought.
Max Ernst, The Elephant Celebes, 1921. The word surrealism was first coined in March 1917 by Guillaume Apollinaire. [10] He wrote in a letter to Paul Dermée: "All things considered, I think in fact it is better to adopt surrealism than supernaturalism, which I first used" [Tout bien examiné, je crois en effet qu'il vaut mieux adopter surréalisme que surnaturalisme que j'avais d'abord employé].
Conroy Maddox (27 December 1912 – 14 January 2005) was an English surrealist painter, collagist, writer and lecturer; and a key figure in the Birmingham Surrealist movement.
Automatism was used in different ways for each art: Automatic drawing; Automatic painting; Automatic writing; Automatic poetry is poetry written using the automatic method.It has probably been the chief surrealist method from the founding of surrealism to the present day.
The list is full of examples of this art style and movement that were created by artists from all around the world. So, check them out; maybe it will convince you to become a surrealism enthusiast.
It marked a divide amidst the early surrealists. Georges Limbour and Georges Ribemont-Dessaignes commented on the sentence where shooting at random in the crowd is described as the simplest surrealist act. Limbour saw in it an example of buffoonery and shamelessness and Ribemont-Dessaignes called Breton a hypocrite, a cop and a priest. [19]
Kurt Leopold Seligmann (20 July 1900, Basel – 2 January 1962, Sugar Loaf) was a Swiss-American Surrealist painter, engraver, and occultist. [1] He was known for his fantastic imagery of medieval troubadors and knights in macabre rituals and inspired by the carnival held annually in his native Basel, Switzerland. [2]
Some Romanian surrealists invented a number of surrealist techniques (such as cubomania, entoptic graphomania, and the movement of liquid down a vertical surface) that purported to take automatism to an absurd point, and the name given, "surautomatism", implies that the methods "go beyond" automatism, but this position is controversial.