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Mondo is an American company known for releasing limited edition screen printed posters for films, television shows, and comics, as well as vinyl movie soundtracks, clothing and apparel, toys, and re-issues of VHS releases.
The artist-designer Jules Chéret (1835–1932) was a notable early creator of French Art Nouveau posters. He helped turn the advertising poster into an art form. The son a family of artisans, he apprenticed with a lithographer and also studied at the École nationale supérieure des arts décoratifs.
Good Girl Art (GGA) is a style of artwork depicting women primarily featured in comic books, comic strips, and pulp magazines. [1] The term was coined by the American Comic Book Company, appearing in its mail order catalogs from the 1930s to the 1970s, [2] and is used by modern comic experts to describe the hyper-sexualized version of femininity depicted in comics of the era.
The shape of the lip was also iconic of the 1940s. The lips were painted on to look plumper; a broad outline of the lip was added for roundness. This fuller look is known as the "Hunter's Bow", invented by Max Factor. [23] The pin curl is a staple of the pin-up style, as "women utilized pin curls for their main hair curling technique". [24]
Drew Struzan (/ ˈ s t r uː z ən /; born March 18, 1947 [1]) is an American artist, illustrator and cover designer.He is known for his more than 150 movie posters, which include The Shawshank Redemption, Blade Runner, E.T. the Extra-Terrestrial, as well as films in the Indiana Jones, Back to the Future, Harry Potter, and Star Wars film series. [2]
See Red Women's Workshop was a collective screen printing studio which operated between 1974 and 1990 in London, England. [1] The printing studio was run by a feminist collective and produced material that aimed to combat sexist images of women and contribute towards the visual culture of the Women's Liberation Movement . [ 2 ]
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In 1982, the "We Can Do It!" poster was reproduced in a magazine article, "Poster Art for Patriotism's Sake", a Washington Post Magazine article about posters in the collection of the National Archives. [21] In subsequent years, the poster was re-appropriated to promote feminism. Feminists saw in the image an embodiment of female empowerment. [22]