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Old Man Leaning on a Stick: 1632–1635: Pen and brown ink: 13.5 x 7.8 cm: Metropolitan Museum of Art, New York: The drawing is related to the etching B133 : Study for Drunk Lot: 1633: Black chalk on paper: 25.1 x 18.9 cm: Städel, Frankfurt am Main: Inscribed Rembrandt f. / 1633 Portrait of Saskia as a Bride: 1633: Silver pen on white-grounded ...
Rembrandt and workshop. Companion piece to 132b Portrait of Petronella Buys: 1635: Oil on panel: 78.8 x 65.3: Leiden Collection, New York: 132b: Rembrandt and workshop. Companion piece to 132a Portrait of a Man in a Slouched Hat and Bandoleer: 1635: Oil on canvas: 78.5 x 65.7: Kawamura Memorial DIC Museum of Art, Sakura: 133a: Rembrandt and/or ...
Beggar in a high cap, standing and leaning on a stick: About 1629 B166: 5: Beggar with a crippled hand leaning on a stick: About 1629 B182: 1: Two studies of beggars: About 1629 S399: 1: Old man with snub nose: About 1629 B327: 3: Head of a man in a fur cap, crying out: About 1629-30 B168: 2: Old beggar woman with a gourd: About 1630 B175: 2 ...
Rembrandt's father: 1629: Oil paint: Fogg Museum: Rembrandt's father: 1635–75: Oil paint: Brooklyn Museum: Bust of an Old Man in a Fur Cap: 1629: Oil on panel: 22.2 x 17.7: Tyrolean State Museum, Innsbruck Study of an old man (Rembrandt's father) c. 1630: Oil on panel: 46.9 x 38.8: Mauritshuis, The Hague Bust of a man with a cap (Rembrandt's ...
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly paintings), or the ...
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