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Sermon 18*: The Marks of the New Birth - John 3:8; Sermon 19*: The Great Privilege of those that are born of God - 1 John 3:9; Sermon 20: The Lord our Righteousness - Jeremiah 23:6; Sermon 21*: Upon Our Lord's Sermon on the Mount: Discourse One - Matthew 5:1-4; Sermon 22*: Upon Our Lord's Sermon on the Mount: Discourse Two - Matthew 5:5-7
Isaiah 26 is the twenty-sixth chapter of the Book of Isaiah in the Hebrew Bible or the Old Testament of the Christian Bible. This book contains the prophecies attributed to the prophet Isaiah, and is one of the Books of the Prophets. Chapters 24–27 of Isaiah constitute one continuous poetical prophecy, sometimes called the "Isaiah Apocalypse".
The books of the New Testament frequently cite Jewish scripture to support the claim of the Early Christians that Jesus was the promised Jewish Messiah.Scholars have observed that few of these citations are actual predictions in context; the majority of these quotations and references are taken from the prophetic Book of Isaiah, but they range over the entire corpus of Jewish writings.
The servant songs (also called the servant poems or the Songs of the Suffering Servant) are four songs in the Book of Isaiah in the Hebrew Bible, which include Isaiah 42:1–4; Isaiah 49:1–6; Isaiah 50:4–11; and Isaiah 52:13–53:12. The songs are four poems written about a certain "servant of YHWH" (Hebrew: עבד יהוה, ‘eḇeḏ ...
Reformed Christianity portal; The Deathless Sermon was a sermon given as a plea for missionary work during the rise of Hyper-Calvinism in England.It was preached by Particular Baptist Minister, William Carey on 30 May, 1792 at the Friar Lane Baptist Chapel in Nottingham as an effort to arouse his pastoral contemporaries to intentional evangelistic action.
The quote in question comes from Isaiah 40:3. It originally was part of the description of the escape from the Babylonian Captivity. This same verse is quoted in Mark 1:3 and Luke 3:4. In Mark it is preceded by two other Old Testament quotes, Matthew moves these to 11:10. [1] All three use the Septuagint version of Isaiah with one slight ...
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
The corresponding unit for the third discourse is Mark 4:3-34. The fourth discourse relates to Mark 9:35-48 and the final discourse to Luke 21:5-36 and Mark 13:5-37. [3] A number of scholars have compared the five discourses to the five books of the Pentateuch, but most contemporary scholars reject the idea of an intentional parallel. [4]