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The total measurement which, combined with quality, dictated the price, was 209 square ells. The tapestries were lined with canvas. [10] A set of six verdure tapestries were bought for hanging in the gallery and on the stairs, each costing £3. Five other smaller verdures of various sizes cost £11-4s.
The Story of Abraham (tapestries) T. Tapestry of Creation; Tapestry of the Fundació ...
The Story of Abraham is a set of ten Brussels tapestries depicting stories from the life of the biblical prophet Abraham. They appear to have been designed by Bernaert van Orley initially, but completed by Pieter Coecke van Aelst around 1537, both artists who were leading designers for the Brussels workshops.
Part of the Overlord Embroidery showing The Blitz. The Overlord Embroidery, echoing the Bayeux Tapestry created 900 years before to commemorate the reverse invasion of England from Normandy, is a narrative embroidery that depicts the story of the D-Day Landings of 6 June 1944 and the subsequent Battle of Normandy.
The six original tapestries illustrate the story of the Grail quest as told in Sir Thomas Malory's 1485 book Le Morte d'Arthur.Like other Morris & Co. tapestries, the Holy Grail sequence was a group effort, with overall composition and figures designed by Edward Burne-Jones, heraldry by William Morris, and foreground florals and backgrounds by John Henry Dearle.
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
All in all, the tapestry took four years to realise, including two years' work by three weavers at Morris's Merton Abbey Mills. The tapestry was completed in February 1890 and displayed in Morris & Co.'s Oxford Street showroom in London that Easter before being presented to Exeter College.
The tapestry was designed by Andrew Crummy, son of Helen Crummy, who had previously designed the Battle of Prestonpans Tapestry and later the Scottish Diaspora Tapestry.It implements an idea of Scottish author Alexander McCall Smith for a grand tapestry to depict episodes from 12,000 years of the history of Scotland, after he had seen the Prestonpans Tapestry.