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Topeng Klana Kencana Wungu is a Cirebon mask dance in the Parahyangan mask style that depicts the story of Queen Kencana Wungu of Majapahit being chased by the grotesque and rough King Minak Jingga of Blambangan. The Sundanese topeng kandaga dance is similar to and influenced by Cirebon topeng, where the dancers wear red masks and costumes.
The Betawi mask dance (Betawi: Topèng Betawi) is a theatrical form of dance and drama of the Betawi people in Jakarta, Indonesia. [1] This dance-drama encompasses dance, music, bebodoran (comedy) and lakon (drama). [2] The Betawi mask dance demonstrates the theme of Betawi society life which is represented in the form of dance and drama.
An archaic ondel-ondel during the colonial period, performed at the opening of the new wing of Hotel des Indes.. Traditionally, the figure of ondel-ondel was known as barongan, a word derived from barong, a protective spirit that can be found across the animistic Austronesian culture long before the arrival of Hinduism.
Betawi mask dance (Tari Topeng Betawi) Mangkeng is a ceremony used at important public gatherings and especially at weddings. The main purpose is to bring good luck and ward off the rain. It is performed by the village shaman, also called the Pangkeng shaman, where the name originates. [32]
Wayang golek (wooden puppet) performance, Indonesia The history of the wayang golek began in the 17th century. Initially, the wayang golek art emerged and was born on the north coast of the island of Java, especially in Cirebon, the wayang used is the wayang cepak in the form of a papak or flat head.
Yapong dance is colored by Betawi folk dance, then processed by the inclusion of elements of pop dance, including elements of Sumatran dance. Because Betawi culture is heavily influenced by elements of Chinese culture , the Yapong dance also contains elements of Chinese art, for example on the cloth worn by the dancers there is a dragon motif ...
Lenong is a form of theatre traditional to the Betawi people of Jakarta, Indonesia. Dialogue is generally in the Betawi dialect. Actions and dialogue are often presented in a humorous manner on top of a stage known as a pentas tapal kuda, so named for the way actors enter the stage from the left and right. Audiences sit in front of the stage. [1]
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