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Lab Pe Aati Hai Dua" (Urdu: لب پہ آتی ہے دعا; also known as "Bachche Ki Dua"), is a duʿā or prayer, in Urdu verse authored by Muhammad Iqbal in 1902. [1] The dua is recited in morning school assemblies almost universally in Pakistan , [ 2 ] [ 3 ] and in Urdu-medium schools in India .
Thanda Gosht (Urdu: ٹھنڈا گوشت ALA-LC: Ṭhanḍā Gos̱ẖt IPA: [ʈʰənɖɑː ɡoːʃt̪], English: Cold Flesh) is a short story written by Saadat Hasan Manto. [1] The book was first published in a literary magazine in March 1950 in Pakistan. Later it was published by Sang-e-Meel Publications. Manto was charged with obscenity for ...
Mera Jism Meri Marzi (Urdu: میرا جسم میری مرضی; lit. ' My body, my choice ') is a slogan used by feminists in Pakistan to demand bodily autonomy and protest gender-based violence. [1] The slogan was popularized during the Aurat March in Pakistan, which has been observed on International Women's Day since 2018.
Altaf Fatima (Urdu: الطاف فاطمہ; 10 June 1927 – 29 November 2018) was a Pakistani Urdu novelist, short story writer, and teacher (specializing in Muhammad Iqbal). Altaf Fatima was born in Lucknow , she moved to Lahore during the Partition , and earned her MA and BEd from the University of Punjab .
Dhuan (Smoke), from which the collection takes its title, was first published in the Urdu magazine Saqi. The story deals with the awakening of sexual urges in a twelve-year old boy, Masud. [ 6 ] In Cuhe daan (Mousetrap), Manto depicts the early discovery of romantic love by teenagers.
Here are the best quotes from the cult-classic film "Mean Girls," based on usability. Skip to main content. 24/7 Help. For premium support please call: 800-290-4726 more ...
Angarey or Angaaray (translated alternatively as "Embers" or "Burning Coals") is a collection of nine short stories and a one act play in Urdu by Sajjad Zaheer, Rashid Jahan, Mahmud-uz-Zafar and Ahmed Ali first published in 1932 and generally considered to have marked the beginning of the Progressive Writers' Movement in Indian literature.
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [9] However, in the matla, the first she'r of a ghazal, the radif will end both lines of the she'r. [8] The qaafiya is a rhyming syllable that precedes ...