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Richard Dorian Goodman (April 19, 1934 – November 6, 1989), [1] was an American music and record producer. He is best known for inventing and using the technique of the " break-in ", an early precursor to sampling , that used brief clips of popular records and songs to "answer" comedic questions posed by voice actors on his novelty records .
Scout's Honor... by Way of Blood is the debut solo studio album by American rapper Rampage. It was released on July 29, 1997, through Flipmode/Elektra Records. Production was mainly handled by DJ Scratch and Rashad Smith. It features guest appearances from Busta Rhymes, Spliff Star and Billy Lawrence among others.
"Rampage" (a.k.a. "Slow Down, Baby") is the second hit single released from EPMD's third album, Business as Usual. EPMD's new-found labelmate, LL Cool J contributed a verse on the song, while Pete Rock would provide the remix to the song. [1] "Rampage" found its greatest success on the Rap charts, peaking at #2.
List of singles, with selected chart positions and certifications, showing year released and album name Title Year Peak chart positions Certifications
Rampage – Original Motion Picture Soundtrack is the film score to the 2018 film of the same name, written and composed by Andrew Lockington.The score was recorded at the MGM Scoring Stage in Culver City, California with the Hollywood Studio Symphony conducted by Nicholas Dodd, [1] together with the African Children's Choir conducted by Jasper Randall.
In the summer of 2009, the Black Eyed Peas dominated the music charts with their album “The E.N.D.” and went all the way to No. 1 with “I Gotta Feeling,” knocking out their other song ...
Ian Dove of the New York Times wrote, "Mr. Goodman has been allowed to bring all his influences into the album, and as a result we get a fully rounded portrait of the artist. It is a deceptively casual album—'laid back' in the argot—recorded in Nashville and New York, but which has much strength and realism in its simplicity...
The record is a satire of the 1973 energy crisis in the United States, and was moderately successful; it peaked at #33 on the Billboard Hot 100 and became the first Top 40 hit for Goodman as a solo artist (Goodman's other records throughout the 1960s had mostly fallen just short of the top 40 and his 1950s works were all collaborations). The ...