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Strati is the world's first 3D printed car. [2] [3] [4] It is an electric car developed and produced by Local Motors and manufactured in collaboration with Oak Ridge National Laboratory and Cincinnati Incorporated. [5] It is the world's first electric car to heavily utilize 3D printing during the production process. [6]
The embroidery tells the story of Operation Overlord, which was the code name for the Allied invasion of Normandy in June 1944. [3] The narrative begins well before the invasion, with war-time production and The Blitz. It continues through the entry of the United States into the war, and the planning and preparation of the invasion.
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The Story of Abraham is a set of ten Brussels tapestries depicting stories from the life of the biblical prophet Abraham. They appear to have been designed by Bernaert van Orley initially, but completed by Pieter Coecke van Aelst around 1537, both artists who were leading designers for the Brussels workshops.
The six original tapestries illustrate the story of the Grail quest as told in Sir Thomas Malory's 1485 book Le Morte d'Arthur.Like other Morris & Co. tapestries, the Holy Grail sequence was a group effort, with overall composition and figures designed by Edward Burne-Jones, heraldry by William Morris, and foreground florals and backgrounds by John Henry Dearle.
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
In 1629, their sons Charles de Comans and Raphaël de la Planche took over their fathers' tapestry workshops, and in 1633, Charles was the head of the Gobelins manufactory. [3] Their partnership ended around 1650, and the workshops were split into two. Tapestries from this early, Flemish period are sometimes called pre-gobelins.
The tapestries illustrated the counties of Gloucestershire, Worcestershire, Warwickshire and Oxfordshire, with each tapestry portraying one county. Designed to hang together in Ralph Sheldon's home in Weston, near Long Compton, Warwickshire, they would have presented a view across central England, from the Bristol Channel to London , covering ...