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Twelve Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66 (1796) Twelve Variations for cello & piano in G major on Handel's "See, the Conqu'ring Hero comes," WoO 45 (1796) Seven Variations for cello & piano in E flat major on Mozart's "Bei Männern," WoO 46 (1801) Karol Beffa "Marmor" for cello and piano
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Concertino "In dich hab' ich gehoffet, Herr" for cello and organ; Zsolt Gárdonyi. Variations on a Hungarian Chorale; Lothar Graap "Befiehl du deine Wege", Variations for cello and organ "Hinunter ist der Sonne Schein", Chorale suite for cello and organ; Percy Grainger. The Nightingale; Sofia Gubaidulina. In Croce; René Guillou. Adagio ...
A cello sonata is piece written sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. [1] Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi, and since then other famous cello sonatas have grown to those by Johannes Brahms, Ludwig van Beethoven, Felix Mendelssohn, Fryderyk Chopin, and ...
Six Studies in English Folk Song is a piece of chamber music written by English composer Ralph Vaughan Williams in 1926. It is a collection of six English folk songs set for cello and piano. Each song follows the same format: presentation of the tune in the solo line, followed by a full iteration of the folk song in the piano with an ornamented ...
The music begins in the piano, and the cello enters on a playful counter-melody in measure twelve, [2] [8] and the two instruments pass arpeggiated and scalar figures back and forth. [4] A more melodic section in D major begins in measure 33, and the fast-paced music passes through A major and E major before returning to G. [ 2 ]
Cello Concerto No. 3 in C major, H. 7b/3 (c. 1780, lost) Cello Concerto No. 4 in D major, H. 7b/4 (1750s, spurious, now thought to be the work of Giovanni Battista Costanzi – see Petrucci Music Library) Cello Concerto No. 5 in C major, H. 7b/5 (1899, spurious, now thought to be the work of David Popper)
The arrangement became so popular that Dvořák made a new arrangement for cello and orchestra on 28 October 1893. The arrangements were first published in the fall of 1894 by Fritz Simrock, who changed the German title given by Dvořák – Die Ruhe (The Silence), a literal translation from the Czech Klid – to Waldesruhe (Silent Woods).