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Catero spent his early childhood with his adoptive parents Fred Catero Sr. and Rosa Perez in Jacksonville, FL. At the age of 7, his adoptive mother moved with him to New York, where they lived in the Spanish Harlem (El Barrio) neighborhood. [8] Early on, Catero showed a passion for music and an interest in sound recording and preservation.
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Produced by Fred Catero, Jorge Santana and Pablo Tellez; Recorded at Wally Heider Studio, San Francisco; Chaos control: Douglas Tracy; Recording and remix engineer: Fred Catero; Synthesizer recorded at Different Fur Studio, San Francisco; Engineer: John Vieira; Art direction, design and photography: Rudy Rodriguez; Cover art: Carlos Venegas and ...
Kooper then asked John Simon to produce them, after being fresh off from producing Simon & Garfunkel's album Bookends. [2] The album was recorded in two weeks in December 1967. Simon asked all of the members to record their material in one take so he could study songs and make useful suggestions to the arrangements. [2]
Background vocals were provided by The Waters, a family vocal group from Los Angeles. All LP and CD editions after the first pressing use an alternate "Disco Mix" version of "Tell Everybody". The original version was included as a bonus track on the disc in the Complete Columbia Albums Collection box set.
From 1969 through 1973, producer David Rubinson and engineer Fred Catero utilized Pacific Recording for numerous Fillmore Records and San Francisco Records projects. Curcio left Pacific in 1978 and founded Arrow Recording Studios. He would go on to found Music America Studios in 1982, where he produced Metallica's debut studio album, Kill 'Em ...
In 1971 Mainline recorded a second studio album, "Canada Our Home and Native Land" in San Francisco. [citation needed] The album featured horn arrangements on some tracks and was engineered by Fred Catero, who worked on many albums by top artists, including Bob Dylan, Al Kooper and Santana. The album had more of a production sheen than the ...
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