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"Gimme! Gimme! Gimme! (A Man After Midnight)" was written and composed by Benny Andersson and Björn Ulvaeus, with the lead vocal sung by Agnetha Fältskog.Fältskog, as the narrator, weaves the image of a lonely woman who longs for a romantic relationship and views her loneliness as a forbidding darkness of night, even drawing parallels to how the happy endings of movie stars are so different ...
Gimme! Gimme! (A Man After Midnight)", the first time Erasure covered a song from the ABBA songbook. It was issued by Mute Records in the UK and Sire Records in the US to herald the June release of Wonderland, but became the third consecutive commercial failure for the band in both territories. Despite its low chart placement, "Oh l'amour" has ...
Cale recorded the song and then released it in 1966 as a single with its flipside track "Slow Motion". [3] [4] When Eric Clapton was working with Delaney & Bonnie Bramlett, Delaney Bramlett introduced Clapton to the music of J.J. Cale. [5] [6] "After Midnight" was the first of several Cale cover songs released by Clapton and appeared on his self-titled debut album.
Their 1979 song "Gimme! Gimme! Gimme! (A Man After Midnight)" formed the basis of the song. Songwriters Benny Andersson and Björn Ulvaeus generally do not allow anyone to sample any of their tracks, an exception being Fugees, who sampled their song "The Name of the Game" for their single "Rumble in the Jungle". [7]
“Living after midnight / Rocking to the dawn / Loving till the morning / Then I’m gone, I’m gone,” sings Rob Halford, a.k.a. The Metal God. The Metal God. The heavy metal anthem will keep ...
O ne thing is always for sure with Taylor Swift: her most devastating songs will always be the fifth track on her albums. It’s a pattern that fans have noticed since 2012's Red .
"A Poor Man's Roses (or a Rich Man's Gold)" is a song was written by Bob Hilliard (lyricist) and Milton De Lugg (composer). [2] The song was popularized by both Patsy Cline [3] and Patti Page in 1957. Cline rerecorded the song with a string arrangement and in stereo, in 1961. Page recorded the song again in 1981.
“as a father of 2, and a veteran, i was caught by surprise by the dialogue about life, meaning, and purpose, and this song playing,” another person wrote in the comments. “have not cried in ...