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Beethoven as portrayed by August von Kloeber in 1818. In 1820, when Beethoven wrote "Abendlied", he was 49 years old. 1820 was a year in which the sorrows of his life (deafness, illness, failure to find a marriage partner) [a] were augmented by the climactic phase of his legal confrontation with his sister-in-law Johanna van Beethoven over custody of his nephew (Johanna's son) Karl.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
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The most basic three-chord progressions of Western harmony have only major chords. In each key, three chords are designated with the Roman numerals (of musical notation): The tonic (I), the subdominant (IV), and the dominant (V). While the chords of each three-chord progression are numbered (I, IV, and V), they appear in other orders.
The other three notes (the second, fourth, and sixth) can be added in any combination; however, just as with the triads and seventh chords, notes are most commonly stacked – a seventh implies that there is a fifth and a third and a root. In practice, especially in jazz, certain notes can be omitted without changing the quality of the chord ...
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The instrumentation consists of two alternating minor bass-chords, played at the very bottom of the pitch-range of an electric-guitar. The guitar is minor-open-tuned. For most of the song, the two bass-chords are played in descending order, but for the alternative sections, two different bass-chords are played in ascending order.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.