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Luminism is a style of American landscape painting of the 1850s to 1870s, characterized by effects of light in a landscape, through the use of aerial perspective and the concealing of visible brushstrokes. Luminist landscapes emphasize tranquility, often depicting calm, reflective water and a soft, hazy sky.
Fitz Henry Lane (born Nathaniel Rogers Lane; also formerly, mistakenly, known as Fitz Hugh Lane; [1] December 19, 1804 – August 14, 1865) was an American painter and printmaker of a style that would later be called Luminism, for its use of pervasive light.
Luminism (American art style) William Stanley Haseltine (June 11, 1835 – February 3, 1900) was an American painter and draftsman who was associated with the Düsseldorf school of painting , the Hudson River School and Luminism .
Albert Bierstadt (January 7, 1830 – February 18, 1902) was a German American painter best known for his lavish, sweeping landscapes of the American West.He joined several journeys of the Westward Expansion to paint the scenes.
Robert Salmon (1775 – c. 1845) was a maritime artist, active in both England and America. Salmon completed nearly 1,000 paintings, all save one of maritime scenes or seascapes. He is widely considered the Father of American Luminism. [2]
John Frederick Kensett (March 22, 1816 – December 14, 1872) was an American landscape painter and engraver born in Cheshire, Connecticut.He was a member of the second generation of the Hudson River School of artists.
The Artist Sketching at Mount Desert, Maine (1864-1865), National Gallery of Art [66] An October Afternoon (1865), upright composition, unlocated related: An October Afternoon (1871), Museum of Fine Arts, Boston [67] Sandy Hook (1865), Whitney Museum of American Art [68] [69] Manchester Beach, Massachusetts (1865), Thyssen-Bornemisza Collection ...
Luminism is an American landscape painting style of the 1850s through 1870s. Pages in category "Luminism (American art style)" The following 29 pages are in this category, out of 29 total.